IEEE VL/HCC – September 2016, Cambridge, UK

The IEEE conference on Visual Languages and Human-Centric Computing invites submissions related to live coding. The visual languages community has been a major venue for discussion of liveness in programming since Tanimoto’s foundational work in 1990, and continues to have a major focus

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IEEE VL/HCC – September 2016, Cambridge, UK

The IEEE conference on Visual Languages and Human-Centric Computing invites submissions related to live coding. The visual languages community has been a major venue for discussion of liveness in programming since Tanimoto’s foundational work in 1990, and continues to have a major focus

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Afterglow update and a performance video

I just released version 0.2.0 of Afterglow, adding some nice interface elements for controlling effects, cue variables, and picking colors, both from the embedded web UI, and compatible grid controllers. Speaking of which, the Novation Launchpad Pro has joined the Ableton Push as

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Afterglow update and a performance video

I just released version 0.2.0 of Afterglow, adding some nice interface elements for controlling effects, cue variables, and picking colors, both from the embedded web UI, and compatible grid controllers. Speaking of which, the Novation Launchpad Pro has joined the Ableton Push as

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Survey on live coding audience

Live coding is a quite new and innovative artistic technique, with which is possible to obtain many stunning and complex artifacts. The public participates with enthusiasm and there is a constant dialog between audience members and performers. An ongoing survey

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Survey on live coding audience

Live coding is a quite new and innovative artistic technique, with which is possible to obtain many stunning and complex artifacts. The public participates with enthusiasm and there is a constant dialog between audience members and performers. An ongoing survey

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FLUXOGRAMA#32: Control Your Algorithm by Renick Bell (mix)

I’ve made a 39-minute mix which includes a lot of work by live coders, including some tracks of my own. These people have used live coding in the production of tracks in the mix (alphabetically by first name): Alexandra Cardenas (@tiemposdelruido)

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FLUXOGRAMA#32: Control Your Algorithm by Renick Bell (mix)

I’ve made a 39-minute mix which includes a lot of work by live coders, including some tracks of my own. These people have used live coding in the production of tracks in the mix (alphabetically by first name): Alexandra Cardenas (@tiemposdelruido)

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Two new live-coded tracks from Kindohm

I just released a new EP, titled Dare to Step Away, on Bandcamp. Dare to Step Away EP by Kindohm These are two tracks that I recorded in April 2015. Both were recorded live, using Tidal to sequence samples and a

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Two new live-coded tracks from Kindohm

I just released a new EP, titled Dare to Step Away, on Bandcamp. Dare to Step Away EP by Kindohm These are two tracks that I recorded in April 2015. Both were recorded live, using Tidal to sequence samples and a

/ One Comment

s2hs2, sharing OSC data between Tidal and Processing.

‘s2hs2’ is an interconnection for sharing OSC data between @tidalcycles and @ProcessingOrg.  A visual form can be assigned to each letter on the computer keyboard, later is possible to live code such letters, modifying their behavior trough Tidal. The focus

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s2hs2, sharing OSC data between Tidal and Processing.

‘s2hs2’ is an interconnection for sharing OSC data between @tidalcycles and @ProcessingOrg.  A visual form can be assigned to each letter on the computer keyboard, later is possible to live code such letters, modifying their behavior trough Tidal. The focus

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Piston LP released

I am pleased to announce the official release of Piston LP on Bandcamp. Piston LP is composed in Tidal and performed/recorded in a single take, and best heard as loud as humanly possible.

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Piston LP released

I am pleased to announce the official release of Piston LP on Bandcamp. Piston LP is composed in Tidal and performed/recorded in a single take, and best heard as loud as humanly possible.

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NIME 2016

NIME 2016 is planing to make a feature of Live Coding and text as interface so we hope many in this community will make an effort to submit proposals and to attend. NIME (New Interfaces for Musical Expression) is the

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NIME 2016

NIME 2016 is planing to make a feature of Live Coding and text as interface so we hope many in this community will make an effort to submit proposals and to attend. NIME (New Interfaces for Musical Expression) is the

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Livecoding into print

I’ve just launched a series of unique print pieces based on my performances creating visuals at various Algorave events in the UK. While performing live I’ve been auto-capturing snapshots of the visuals output at two second intervals, which I’ve then stitched

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Livecoding into print

I’ve just launched a series of unique print pieces based on my performances creating visuals at various Algorave events in the UK. While performing live I’ve been auto-capturing snapshots of the visuals output at two second intervals, which I’ve then stitched

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New LP “Expedition” Made With Tidal

I’ve released a new LP, Expedition, composed with Tidal. It’s available on Bandcamp and SoundCloud for purchase and streaming, respectively: Bandcamp: kindohm.bandcamp.com/album/expedition Soundcloud: soundcloud.com/kindohm/sets/expedition The release is also an open-source project, under a Creative Commons license. Anyone is free to explore the code

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New LP “Expedition” Made With Tidal

I’ve released a new LP, Expedition, composed with Tidal. It’s available on Bandcamp and SoundCloud for purchase and streaming, respectively: Bandcamp: kindohm.bandcamp.com/album/expedition Soundcloud: soundcloud.com/kindohm/sets/expedition The release is also an open-source project, under a Creative Commons license. Anyone is free to explore the code

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