Music
Thoughts on Live Coding as a Session Musician (1 of 3)
Having come into the field of ‘Live Coding’ performance from a career as a session musician and an academic background in the arts, I am highly inclined towards deep thought and philosophy into the meaning and motivation behind my work.
Thoughts on Live Coding as a Session Musician (1 of 3)
Having come into the field of ‘Live Coding’ performance from a career as a session musician and an academic background in the arts, I am highly inclined towards deep thought and philosophy into the meaning and motivation behind my work.
Live coding and Electronic Literature at ELO 2018, Montréal.
Within the framework of ELO 2018 and thanks to the support of the Digital Writings Laboratory TOPO, the Latin American artists Rodrigo Velasco and the collective Andamio, have made a one-week artistic residency in TOPO including a public presentation of
Live coding and Electronic Literature at ELO 2018, Montréal.
Within the framework of ELO 2018 and thanks to the support of the Digital Writings Laboratory TOPO, the Latin American artists Rodrigo Velasco and the collective Andamio, have made a one-week artistic residency in TOPO including a public presentation of
Live Coding @ IMPA – Rio de Janeiro
This next Wednesday, 20th of June at 13:30 there will be a live coding seminar/presentation. It will consist of a re-reading (or a rewriting) of Sorensen’s piece called Robotic Pianos. The seminar will occur at Auditorium 3 in Instituto de
Live Coding @ IMPA – Rio de Janeiro
This next Wednesday, 20th of June at 13:30 there will be a live coding seminar/presentation. It will consist of a re-reading (or a rewriting) of Sorensen’s piece called Robotic Pianos. The seminar will occur at Auditorium 3 in Instituto de
NIME 2018 Workshop: Re-engaging the Body and Gesture in Musical Live Coding
As part of the New Interfaces for Musical Expression (NIME 2018) conference, we would like to invite you to the “Re-engaging the Body and Gesture in Musical Live Coding” workshop. This half-day workshop will take place Sunday, June 3, at
NIME 2018 Workshop: Re-engaging the Body and Gesture in Musical Live Coding
As part of the New Interfaces for Musical Expression (NIME 2018) conference, we would like to invite you to the “Re-engaging the Body and Gesture in Musical Live Coding” workshop. This half-day workshop will take place Sunday, June 3, at
Liveware
Premiere performance of LIVEWARE, Nov. 20, 2017 at EMPAC Liveware is a new performance duo comprised of Michael Century and Shawn Lawson, both Professors in the Rensselaer Arts Department. The name Liveware plays off a slang term that denotes the “human
Liveware
Premiere performance of LIVEWARE, Nov. 20, 2017 at EMPAC Liveware is a new performance duo comprised of Michael Century and Shawn Lawson, both Professors in the Rensselaer Arts Department. The name Liveware plays off a slang term that denotes the “human
Metarythmes, Montréal – ‘migration1’
OBORO, STUDIO XX and TOPLAP are supporting ‘Metarythmes’ a series of meetings to collaborate and explore around the concepts ‘live and rhythm’ through non conventional vocabularies. First ‘Metarythmes’ jam will be next 21 June, 19h at OBORO in Montréal. https://metarythmes.github.io/
Metarythmes, Montréal – ‘migration1’
OBORO, STUDIO XX and TOPLAP are supporting ‘Metarythmes’ a series of meetings to collaborate and explore around the concepts ‘live and rhythm’ through non conventional vocabularies. First ‘Metarythmes’ jam will be next 21 June, 19h at OBORO in Montréal. https://metarythmes.github.io/
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Errata//Data – Live Coding in Pittsburgh
Taking place on November 12th, 2016 in Pittsburgh, PA – Errata//Data will be featuring two live-coded performances by BLÆRG and Spednar using the Tidalcycles platform initiated by yaxu. The rest of the bill is comprised of live performances spanning various software and hardware suites. Jeremy Bible will
Errata//Data – Live Coding in Pittsburgh
Taking place on November 12th, 2016 in Pittsburgh, PA – Errata//Data will be featuring two live-coded performances by BLÆRG and Spednar using the Tidalcycles platform initiated by yaxu. The rest of the bill is comprised of live performances spanning various software and hardware suites. Jeremy Bible will
‘A Second Home’ composition featuring tidal
Dennis Maher‘s three-story installation at the Mattress Factory entitled ‘A Second Home’ features a musical piece composed by Dubravka Bencic and Kevin Bednar which includes various uses of tidalcycles.
‘A Second Home’ composition featuring tidal
Dennis Maher‘s three-story installation at the Mattress Factory entitled ‘A Second Home’ features a musical piece composed by Dubravka Bencic and Kevin Bednar which includes various uses of tidalcycles.