NIME 2018 Workshop: Re-engaging the Body and Gesture in Musical Live Coding

As part of the New Interfaces for Musical Expression (NIME 2018) conference, we would like to invite you to the “Re-engaging the Body and Gesture in Musical Live Coding” workshop. This half-day workshop will take place Sunday, June 3, at

Metarythmes, Montréal – ‘migration1’

OBORO, STUDIO XX and TOPLAP are supporting ‘Metarythmes’ a series of meetings to collaborate and explore around the concepts ‘live and rhythm’ through non conventional vocabularies. First ‘Metarythmes’ jam will be next 21 June, 19h at OBORO in Montréal. https://metarythmes.github.io/

All things live coding: a curated list

Mauro aka lvm from Beunos Aires has made a curated list of “All Things Live Coding“, with links to dozens of high quality languages, libraries, videos, readings, and more. With the demise of the TOPLAP wiki some time ago this is very

Special Issue on Live Coding in IJPADM

The third issue of the twentieth volume of the International Journal of Performance Art and Digital Mediawas about live coding, edited by Kate Sicchio and Thor Magnusson. This is a publication of a cutting-edge technology of music writing by some fantastic authors,

Algorave in mixmag

A lovely article on mixmag.net, by Steph Kretowicz (with above illustration by Patch Keys). “In the back room of a bar in the South London suburb of New Cross, there’s a revolution happening. Or maybe it’s not so much a revolution as

JMTE Live Coding and Education issue released

This special issue of the Journal of Music, Technology & Education focuses on ‘Live Coding in Music Education’. The idea for this issue arose from discussions about the educational affordances of live coding at the Dagstuhl Seminar on Collaboration and Learning