- Live coding and the body; tangibility, gesture, embodiment
- Creative collaboration through live code
- Live coding in education, teaching and learning
- Live coding terminology and the cognitive dimensions of notation
- Live language and interface design
- CUIs: Code as live user interface
- Domain specific languages, and the live coding ecosystem
- Programming language experience design: visualising live process and state in code interfaces
- Virtuosity, flow, aesthetics and phenomenology of live code
- Live coding: composition, improvisation or something else?
- Time in notation, process, and perception
- Live coding of and inside computer games and virtual reality
- Live programming languages as art: esoteric and idiosyncratic systems
- Bugfixing in/as performance
- Individual expression in shared live coding environments
- Live coding across the senses and algorithmic synaesthesia
- Audience research and ethnographies of live coding
- Live coding without computers
- Live coding before Live Coding; historical perspectives on live programming languages
- Heritage, vintage and nostalgia – bringing the past to life with code
- Live coding in public and in private
- Cultural processes of live programming language design
- General purpose live programming languages and live coding operating systems
- Connecting live coding with ancient arts or crafts practice
- Live coding and the hacker/maker movement: DIY and hacker aesthetics
- Critical reflections; diversity in the live coding community
- The freedom of liveness, and free/open source software
For more info, see the ICLC website.
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