Posts Tagged 'live coding'
NIME 2018 Workshop: Re-engaging the Body and Gesture in Musical Live Coding
As part of the New Interfaces for Musical Expression (NIME 2018) conference, we would like to invite you to the “Re-engaging the Body and Gesture in Musical Live Coding” workshop. This half-day workshop will take place Sunday, June 3, at
NIME 2018 Workshop: Re-engaging the Body and Gesture in Musical Live Coding
As part of the New Interfaces for Musical Expression (NIME 2018) conference, we would like to invite you to the “Re-engaging the Body and Gesture in Musical Live Coding” workshop. This half-day workshop will take place Sunday, June 3, at
Algorave Buenos Aires
Join us for the first official Algorave in Buenos Aires February 8th, 2018! Line-up: mauro (audio), munshkr (audio), alejo (audio), hordia (audio), pablo/alejo(prrr/fiiiu) (audio), Julian (visuals), gabo (audio), leandro (audio), rapo (audio), sebas (audio). Event Info: Feb 8th 2018 Espacio
Algorave Buenos Aires
Join us for the first official Algorave in Buenos Aires February 8th, 2018! Line-up: mauro (audio), munshkr (audio), alejo (audio), hordia (audio), pablo/alejo(prrr/fiiiu) (audio), Julian (visuals), gabo (audio), leandro (audio), rapo (audio), sebas (audio). Event Info: Feb 8th 2018 Espacio
OSC Jam: CASo ABIERTO #1 – Buenos Aires
This next Saturday (June 10th) will be held another livecode-ar meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 7:00 PM. This time we’ll join forces
OSC Jam: CASo ABIERTO #1 – Buenos Aires
This next Saturday (June 10th) will be held another livecode-ar meeting in the Centro de Arte Sonoro de la Casa Nacional Del Bicentenario (3er Piso, Riobamba 985, Ciudad Autónoma de Buenos Aires) at 7:00 PM. This time we’ll join forces
howto_co34pt_liveCode – Resources about how I live code in SuperCollider
I live code as co￥ﾡpt, and for the past couple of months I have been documenting how I live code in SuperCollider. howo_co34pt_liveCode is a set of resources, guides, code and a couple of mini-essays covering why I decided to live
howto_co34pt_liveCode – Resources about how I live code in SuperCollider
I live code as co￥ﾡpt, and for the past couple of months I have been documenting how I live code in SuperCollider. howo_co34pt_liveCode is a set of resources, guides, code and a couple of mini-essays covering why I decided to live
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Workshop: Introduction to Live Coding – LPM 2017 Amsterdam
Introduction to Live Coding | Filippo Guida [IT] May 20 -21 | 18:00 – 21:00 | HackLab A beginners introduction to live coding environments for music production: TidalCycles and SuperCollider. 1. Brief history of generative music and its aesthetical relations with live coding
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Live Coding YouTube
Live Coding YouTube is a web based live coding environment (javascript) to retrieve any YouTube video and to organize them for an audiovisual performance. https://livecodingyoutube.github.io/ Music listening has changed considerably with the emergence of music streaming services, such as Spotify
Special Issue on Live Coding in IJPADM
The third issue of the twentieth volume of the International Journal of Performance Art and Digital Mediawas about live coding, edited by Kate Sicchio and Thor Magnusson. This is a publication of a cutting-edge technology of music writing by some fantastic authors,
Special Issue on Live Coding in IJPADM
The third issue of the twentieth volume of the International Journal of Performance Art and Digital Mediawas about live coding, edited by Kate Sicchio and Thor Magnusson. This is a publication of a cutting-edge technology of music writing by some fantastic authors,
Continuous integration of ChucK code to Soundcloud
chuck_demos is a project that uses GitHub, Travis CI and Soundcloud to render and publish open source audio from your text editor to the web. Commit a ChucK program to your fork of the repository, watch it appear as rendered audio
Continuous integration of ChucK code to Soundcloud
chuck_demos is a project that uses GitHub, Travis CI and Soundcloud to render and publish open source audio from your text editor to the web. Commit a ChucK program to your fork of the repository, watch it appear as rendered audio
‘Amorphaux’ EP Release Party
Primarily composed using Tidal, Spednar‘s newest EP ‘Amorphaux’ is slated to be released on Pittsburgh-based imprint La Squadra. Teasers for the release are now available on soundcloud. The full EP will appear on bandcamp April 11th. https://la-squadra.bandcamp.com/album/amorphaux-ep-squ004 In addition to the music,
‘Amorphaux’ EP Release Party
Primarily composed using Tidal, Spednar‘s newest EP ‘Amorphaux’ is slated to be released on Pittsburgh-based imprint La Squadra. Teasers for the release are now available on soundcloud. The full EP will appear on bandcamp April 11th. https://la-squadra.bandcamp.com/album/amorphaux-ep-squ004 In addition to the music,
/*vivo*/ 2013: Simposio Internacional de Música y Código [redes]
/*vivo*/ is the name of the annual symposium in México organized by the Taller de Audio of the Centro Multimedia at the CENART, led by Hernani Villaseñor and Ernesto Romero. This year the topic was redes (Spanish for network) and included guests
/*vivo*/ 2013: Simposio Internacional de Música y Código [redes]
/*vivo*/ is the name of the annual symposium in México organized by the Taller de Audio of the Centro Multimedia at the CENART, led by Hernani Villaseñor and Ernesto Romero. This year the topic was redes (Spanish for network) and included guests