Videos, Articles and Papers: Difference between revisions

From Toplap
Jump to navigation Jump to search
No edit summary
 
(4 intermediate revisions by 2 users not shown)
Line 1: Line 1:
In the process of being collected and sorted...
In the process of being collected and sorted... See [this list https://github.com/toplap/awesome-livecoding], which is currently much more up-to-date.


== Videos ==
== Videos ==
Line 21: Line 21:
* Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
* Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Rohrhuber, J. (2010). [http://supercollider2010.de/images/papers/signal_operators.pdf  <<> and <>> : Two Simple Operators for Composing Processes at Runtime. ]. SuperCollider 2010 Conference Papers
* McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
* McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
* Rohrhuber, J. and de Campo, A. (2009). Improvising Formalisation: Conversational Programming and Live Coding. In Gérard Assayag and Andrew Gerzso, editors, New Computational Paradigms for Computer Music. Delatour France / Ircam-Centre Pompidou.
* Rohrhuber, J. and de Campo, A. (2009). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_DeCampo_Improvising_Formalisation.pdf Improvising Formalisation: Conversational Programming and Live Coding]. In Gérard Assayag and Andrew Gerzso, editors, New Computational Paradigms for Computer Music. Delatour France / Ircam-Centre Pompidou.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Rohrhuber, J. (2009). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Doppelte_Extension.pdf Das Rechtzeitige. Doppelte Extension und formales Experiment] in: Zeitkritische Medienprozesse (A. Volmar, ed.), Berlin: Kadmos, 2008.
* Rohrhuber, J. (2008). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Artificial_Natural_Historical.pdf Artificial, Natural, Historical. Acoustic Ambiguities in Documentary Film]. in: Adams, Gibson, Arisona, Transdisciplinary Digital Art: Sound, Vision and the New Screen, Communications in Computer and Communication Science, Springer, Heidelberg.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007) [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.
* Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
Line 34: Line 37:
* Ruthmann, S.A., Heines, J.M., Greher, G.R., Laidler, P., & Saulters, C. (2010).  [http://teaching.cs.uml.edu/~heines/academic/papers/2010sigcse/SoundThinking-SIGCSE-2010.pdf Teaching computational thinking through musical live coding in Scratch].  41st ACM SIGCSE Technical Symposium on CS Education.  Milwaukee, WI, March 12, 2010.
* Ruthmann, S.A., Heines, J.M., Greher, G.R., Laidler, P., & Saulters, C. (2010).  [http://teaching.cs.uml.edu/~heines/academic/papers/2010sigcse/SoundThinking-SIGCSE-2010.pdf Teaching computational thinking through musical live coding in Scratch].  41st ACM SIGCSE Technical Symposium on CS Education.  Milwaukee, WI, March 12, 2010.
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
Geoff Cox, Alex McLean and Adrian Ward, "[http://art.runme.org/1107862958-4046-0/cox.pdf Coding Praxis: Reconsidering the Aesthetics of Generative Code]," in Olga Goriunova and Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, 2004), 161-174. Peer-reviewed essay derived from conferences in Aarhus and Sorbonne, 2004.
* Geoff Cox, Alex McLean and Adrian Ward, "[http://art.runme.org/1107862958-4046-0/cox.pdf Coding Praxis: Reconsidering the Aesthetics of Generative Code]," in Olga Goriunova and Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, 2004), 161-174. Peer-reviewed essay derived from conferences in Aarhus and Sorbonne, 2004.
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.

Latest revision as of 12:33, 7 July 2020

In the process of being collected and sorted... See [this list https://github.com/toplap/awesome-livecoding], which is currently much more up-to-date.

Videos

Online and in the media

Academic articles and papers

Unsorted