Videos, Articles and Papers: Difference between revisions
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== | == Academic articles and papers == | ||
* McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). [http://yaxu.org/visualisation-of-live-code/ Visualisation of Live Code]. In Electronic Visualisation and the Arts London 2010. | |||
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM. | |||
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007. | |||
* Sorensen, A. (2005). [http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete) | |||
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330. | |||
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures. | |||
* McLean, A. (2004). [http://www.perl.com/pub/a/2004/08/31/livecode.html Hacking perl in nightclubs]. O'reilly; perl.com | |||
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore. | |||
Rohrhuber, J., de Campo, A., and Wieser, R. (2005). [http://akustik.hfbk.net/publications/AlgorithmsToday.pdf Algorithms today: Notes on language design for just in time programming]. In Proceedings of the 2005 International Computer Music Conference. | |||
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference. | |||
== Unsorted == | |||
* [[some thoughts]] | * [[some thoughts]] | ||
* [[live coding of graphics]] | * [[live coding of graphics]] | ||
* [[LivecodingIsNotSynaesthesia]] | * [[LivecodingIsNotSynaesthesia]] | ||
* [http://akustik.hfbk.net/publications/Uncertainty_and_waiting.pdf Uncertainty and Waiting in Computer Music Networks] | * [http://akustik.hfbk.net/publications/Uncertainty_and_waiting.pdf Uncertainty and Waiting in Computer Music Networks] | ||
* [http://www.wertlos.org/~rohrhuber/articles/Artificial,%20Natural,%20Historical.pdf Artificial Natural Historical : Ambiguities of Synthetic Sound in Documentary Film] | * [http://www.wertlos.org/~rohrhuber/articles/Artificial,%20Natural,%20Historical.pdf Artificial Natural Historical : Ambiguities of Synthetic Sound in Documentary Film] | ||
| Line 16: | Line 24: | ||
* [http://www.wertlos.org/drb/signifikantenstadl/ Signifikantenstadl: live coding for silent movies] | * [http://www.wertlos.org/drb/signifikantenstadl/ Signifikantenstadl: live coding for silent movies] | ||
* [http://elliscave.com/APL_J/tool.pdf ''Notation as a Tool of Thought''] (1979 Turing Award Lecture) by Kenneth E. Iverson, Communications of the ACM, Volume 23, Number 8, August 1980. | * [http://elliscave.com/APL_J/tool.pdf ''Notation as a Tool of Thought''] (1979 Turing Award Lecture) by Kenneth E. Iverson, Communications of the ACM, Volume 23, Number 8, August 1980. | ||
* [http://www.journals.cambridge.org/action/displayAbstract?fromPage=online&aid=215999 Live coding in laptop performance], Organised Sound 2003 | * [http://www.journals.cambridge.org/action/displayAbstract?fromPage=online&aid=215999 Live coding in laptop performance], Organised Sound 2003 | ||
* [http://www.informatics.sussex.ac.uk/users/nc81/researchlc.html Nick Collins' papers on live coding including 'Live Coding Practice'] | * [http://www.informatics.sussex.ac.uk/users/nc81/researchlc.html Nick Collins' papers on live coding including 'Live Coding Practice'] | ||
* [http://www.ludions.com/slowcode/ 'Slow Code Movement Manifesto' Hall, T. n.d.] | * [http://www.ludions.com/slowcode/ 'Slow Code Movement Manifesto' Hall, T. n.d.] | ||
== In the media == | == In the media == | ||
Revision as of 00:08, 27 February 2011
Academic articles and papers
- McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). Visualisation of Live Code. In Electronic Visualisation and the Arts London 2010.
- Sorensen, A. and Gardner, H. (2010). Programming with time: cyber-physical programming with impromptu. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
- Sorensen, A. and Brown, A. R. (2007). aa-cell in practice: An approach to musical live coding. In Proceedings of the International Computer Music Conference 2007.
- Sorensen, A. (2005). Impromptu: An interactive programming environment for composition and performance. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
- Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). Live coding in laptop performance. Organised Sound, 8(03):321-330.
- Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
- McLean, A. (2004). Hacking perl in nightclubs. O'reilly; perl.com
- Wang, G. and Cook, P. R. (2004). On-the-fly programming: using code as an expressive musical instrument. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
Rohrhuber, J., de Campo, A., and Wieser, R. (2005). Algorithms today: Notes on language design for just in time programming. In Proceedings of the 2005 International Computer Music Conference.
- Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). Purloined letters and distributed persons. In Music in the Global Village Conference.
Unsorted
- some thoughts
- live coding of graphics
- LivecodingIsNotSynaesthesia
- Uncertainty and Waiting in Computer Music Networks
- Artificial Natural Historical : Ambiguities of Synthetic Sound in Documentary Film
- some theoretical papers on sound programming and time
- Code Jamming
- Fluxus workshop intro from llcf2007 (source)
- Gamepad programming from llcf2007 (source)
- Signifikantenstadl: live coding for silent movies
- Notation as a Tool of Thought (1979 Turing Award Lecture) by Kenneth E. Iverson, Communications of the ACM, Volume 23, Number 8, August 1980.
- Live coding in laptop performance, Organised Sound 2003
- Nick Collins' papers on live coding including 'Live Coding Practice'
- 'Slow Code Movement Manifesto' Hall, T. n.d.
In the media
- Programming, meet music
- Real DJs Code Live, Wired 2006
- Slub: Making music with live computer code, Wired 2009