Videos, Articles and Papers

In the media

• Programming, meet music
• Real DJs Code Live, Wired 2006
• Slub: Making music with live computer code, Wired 2009

Academic articles and papers

• McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). Visualisation of Live Code. In Electronic Visualisation and the Arts London 2010.
• Sorensen, A. and Gardner, H. (2010). Programming with time: cyber-physical programming with impromptu. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
• Sorensen, A. and Brown, A. R. (2007). aa-cell in practice: An approach to musical live coding. In Proceedings of the International Computer Music Conference 2007.
• Sorensen, A. (2005). Impromptu: An interactive programming environment for composition and performance. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
• Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). Live coding in laptop performance. Organised Sound, 8(03):321-330.
• Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
• McLean, A. (2004). Hacking perl in nightclubs. O'reilly; perl.com
• Wang, G. and Cook, P. R. (2004). On-the-fly programming: using code as an expressive musical instrument. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.

Rohrhuber, J., de Campo, A., and Wieser, R. (2005). Algorithms today: Notes on language design for just in time programming. In Proceedings of the 2005 International Computer Music Conference.

• Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). Purloined letters and distributed persons. In Music in the Global Village Conference.

Unsorted

• some thoughts
• live coding of graphics
• LivecodingIsNotSynaesthesia
• Uncertainty and Waiting in Computer Music Networks
• Artificial Natural Historical : Ambiguities of Synthetic Sound in Documentary Film
• some theoretical papers on sound programming and time
• Code Jamming
• Fluxus workshop intro from llcf2007 (source)
• Gamepad programming from llcf2007 (source)
• Signifikantenstadl: live coding for silent movies
• Notation as a Tool of Thought (1979 Turing Award Lecture) by Kenneth E. Iverson, Communications of the ACM, Volume 23, Number 8, August 1980.
• Nick Collins' papers on live coding including 'Live Coding Practice'
• 'Slow Code Movement Manifesto' Hall, T. n.d.