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| | HHIS I suhold have thought of that! |
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| == Videos ==
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| * [http://www.vimeo.com/20241649 Show us your screens - Documentary]
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| * [http://vimeo.com/9790850 Algorithms are Thoughts, Chainsaws are Tools] is a thoughtful commentary by Stephen Ramsey on a screen cast by Andrew Sorensen.
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| * [http://news.bbc.co.uk/1/hi/technology/8221235.stm Programming, meet music] is a classic BBC treatment of live coding.
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| * Many screencasts of live coders in action are available at our sister website http://livecoding.co.uk/
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| == Online and in the media ==
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| * [http://www.wired.com/science/discoveries/news/2006/07/71248 Real DJs Code Live], Wired 2006
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| * [http://www.wired.co.uk/news/archive/2009-09/25/making-music-with-live-computer-code- Slub: Making music with live computer code], Wired 2009
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| * McLean, A. (2004). [http://www.perl.com/pub/a/2004/08/31/livecode.html Hacking perl in nightclubs]. O'reilly; perl.com
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| == Academic articles and papers ==
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| * McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). [http://yaxu.org/visualisation-of-live-code/ Visualisation of Live Code]. In Electronic Visualisation and the Arts London 2010.
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| * Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
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| * Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
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| * McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
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| * McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
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| * McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
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| * Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
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| * Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.
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| * Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
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| * Brown, A. (2006). [http://journal.media-culture.org.au/0612/03-brown.php Code Jamming]". M/C Journal, 9(6).
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| * Blackwell, A. and Collins, N. (2005). [http://www.ppig.org/papers/17th-blackwell.pdf The programming language as a musical instrument]. In Proceedings of PPIG05. University of Sussex.
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| * Sorensen, A. (2005). [http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
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| * Rohrhuber, J., de Campo, A., and Wieser, R. (2005). [http://akustik.hfbk.net/publications/AlgorithmsToday.pdf Algorithms today: Notes on language design for just in time programming]. In Proceedings of the 2005 International Computer Music Conference.
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| * Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
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| * Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.
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| * Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
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| Good point. I hadn't toughht about it quite that way. :)
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