Videos, Articles and Papers: Difference between revisions

From Toplap
Jump to navigation Jump to search
Line 21: Line 21:
* Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
* Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Rohrhuber, J. (2010). <<> and <>> : Two Simple Operators for Composing Processes at Runtime. SuperCollider 2010 Conference Papers [http://supercollider2010.de/images/papers/signal_operators.pdf].
* McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
* McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
* Rohrhuber, J. and de Campo, A. (2009). Improvising Formalisation: Conversational Programming and Live Coding. In Gérard Assayag and Andrew Gerzso, editors, New Computational Paradigms for Computer Music. Delatour France / Ircam-Centre Pompidou.
* Rohrhuber, J. and de Campo, A. (2009). Improvising Formalisation: Conversational Programming and Live Coding. In Gérard Assayag and Andrew Gerzso, editors, New Computational Paradigms for Computer Music. Delatour France / Ircam-Centre Pompidou. [http://wertlos.org/~rohrhuber/articles/Rohrhuber_DeCampo_Improvising_Formalisation.pdf]
* Rohrhuber, J. (2009). Das Rechtzeitige. Doppelte Extension und formales Experiment, in Zeitkritische Medienprozesse (A. Volmar, ed.), Berlin: Kadmos, 2008. [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Doppelte_Extension.pdf]
* Rohrhuber, J. (2008). Artificial, Natural, Historical. Acoustic Ambiguities in Documentary Film. in: Adams, Gibson, Arisona, Transdisciplinary Digital Art: Sound, Vision and the New Screen, Communications in Computer and Communication Science, Springer, Heidelberg. [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Artificial_Natural_Historical.pdf]
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.
* Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.

Revision as of 10:44, 7 November 2013

In the process of being collected and sorted...

Videos

Online and in the media

Academic articles and papers

Unsorted