Videos, Articles and Papers

In the media

McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). Visualisation of Live Code. In Electronic Visualisation and the Arts London 2010.
Sorensen, A. and Gardner, H. (2010). Programming with time: cyber-physical programming with impromptu. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
Sorensen, A. and Brown, A. R. (2007). aa-cell in practice: An approach to musical live coding. In Proceedings of the International Computer Music Conference 2007.
Sorensen, A. (2005). Impromptu: An interactive programming environment for composition and performance. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). Live coding in laptop performance. Organised Sound, 8(03):321-330.
Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
McLean, A. (2004). Hacking perl in nightclubs. O'reilly; perl.com
Wang, G. and Cook, P. R. (2004). On-the-fly programming: using code as an expressive musical instrument. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.

Rohrhuber, J., de Campo, A., and Wieser, R. (2005). Algorithms today: Notes on language design for just in time programming. In Proceedings of the 2005 International Computer Music Conference.

Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). Purloined letters and distributed persons. In Music in the Global Village Conference.