Re: [livecode] Arte transcription

From: Al Matthews <prolepsis_at_gmail.com>
Date: Fri, 31 Jan 2014 15:16:15 -0500

That might be my favorite livecode post ever.


Al Matthews - http://fatmilktv.com
Atlanta, GA, US +1 337 214 4688


On Fri, Jan 31, 2014 at 2:46 PM, alex <alex_at_slab.org> wrote:

> Hi all,
>
> There was recently a live coding / algorave feature on Arte TV, with
> footage from the live.code.fest and some interviews.
> http://toplap.org/live-coding-on-arte-tv/
>
> For those who do not understand French or German, I've taken the
> automatic transcript from youtube, and passed it through google
> translate. Here it is. .
>
> 0:03
> - Thursday night in london
> 0:06
> a series of improbable characters like this is what music
> 0:10
> electronic programmed in real time and in public
> 0:13
> Welcome to the lightning ii
> 0:23
> jared bernstein programming has always been some thing
> 0:26
> elitist floor began even live blogging complete language are
> 0:30
> easy access they allow people to do things together in public
> 0:34
> this is where we find the principle of movement punk for sure
> 0:37
> increase but also improv jazz 15 and while a lot of ideas
> 0:41
> come from musical traditions they do not go against the bias
> 0:44
> which means that the coding or something sterile still
> 0:47
> boring or lonely techie help us
> 0:53
> August 2000 alex maclean was unfounded slam a group of pros
> 0:57
> he also co-director Antoine some music labels algorithmics
> 1:01
> a hunter and musicians he scrap these lines of code in the world
> 1:06
> as here in an art gallery district London garrett neff
> 1:17
> for his performance he needs two things his laptop and a
> 1:21
> video projector
> 1:22
> but beware you must follow the rules of the genre first command
> 1:26
> lightning the screen you show nothing
> 1:34
> Here the athletes of the hill is a rather technical kind
> 1:38
> musical
> 1:39
> while some use to the electro-acoustic music
> 1:42
> which is geared more toward the sound to the rhythm
> 1:47
> but as an appetite suppressant massa I use to make techno I
> 1:51
> think it is very simple but perhaps not very clean
> 1:54
> years, but it pretty much do the same music with another technique
> 1:57
> the difference here is that the code is visible it is entirely part of the
> 2:02
> rap Performance
> 2:05
> Thunderbolt also involved in the organization ventured place
> 2:09
> created to ensure the proliferation of real-time programming
> 2:14
> Code generator is imaged and blood
> 2:19
> we have seen the result covers the entire spectrum of electronic music
> 2:27
> sensors to technotronic clip dirty ambiance me
> 2:52
> alexander guard
> 2:54
> lightning discovered two years ago in the heart of the Mexican community
> 2:58
> Latin America
> 3:01
> this command just dial up during parts
> 3:03
> for experimental contemporary ensemble today she prefers
> 3:06
> focus algorithms and frequency bands
> 3:10
> last year she studied in the department without stabilizes me
> 3:13
> university of art berlin
> 3:32
> Corn instrument that I programmed 6 is based on what
> 3:35
> the Sercel bouheyrots called
> 3:37
> This is somewhat similar to white noise for all frequencies by the same
> 3:41
> volume as white light
> 3:43
> a place in the euro area 5 frequencies are not all the same
> 3:46
> 6 volumes
> 3:47
> this is indeed a love potion and I rose in a frequency range
> 3:51
> they were between 500 1500 26
> 3:54
> to be a little actuate al- assad today I selected a number
> 3:58
> between the two and if it will determine what constitutes the tick
> 4:06
> discrete and that is tricky because if you make a mistake that is
> 4:09
> forced regulates a parenthesis too
> 4:13
> Indeed the performance there was nothing for 10 minutes just because
> 4:17
> a detail as Sartre is terrible you like this calculation
> 4:24
> unlike formatted fund established by each software
> 4:28
> category the WSF born keyboard
> 4:30
> and members
> 4:32
> for the lightning that uses all the strings open source it is a question
> 4:36
> honor
> 4:38
> ap
> 4:44
> he knew his father in the lightning can count on each other
> 4:48
> - Calculation when you do not know how to do something you ask someone
> 4:52
> else it gives us no problem these snippets samurai attire
> 4:56
> it is a complete new way of thinking radically different world
> 5:00
> capitalist accumulation based on the individual
> 5:03
> - Here michèle wealth comes from sharing
> 5:08
> is not writing software for making money and for everyone to enjoy the
> 5:13
> series
> 5:16
> concept without roots in the culture for two hours Thursday alex
> 5:19
> the city is specialized in the rooms correa
> 5:24
> for a week a bit but we do not want that programming is confined
> 5:27
> to weird performance art
> 5:28
> m it pains me we want to make it a festival experience here but
> 5:33
> algorithms here that are part of our daily lives, but it is the
> 5:36
> see a creative day as a means of expression goes better
> 5:41
> check it proves that music is computer generated
> 5:44
> 5:44
> it is not limited to shield her husband
>
>
Received on Fri Jan 31 2014 - 20:16:57 GMT

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