Nice work Marije! I especially enjoyed the sounds in the six to eight
minute range. I had similar thoughts to Konstantinos and hope to hear more
about the incorporation of gestural control / devices into live coding
practice from anyone on the list. I've seen other performers do it (Sam
Aaron jumps to mind) and I'm curious about the motivation for it.
Transparency was mentioned, but this could also be achieved in a
collaborative performance, as in Konstantinos's second video . I assume
there's something attractive about moving between modalities for performers
and am hoping someone can articulate what they find appealing about it.
For what it's worth I also share the impulse to bring more embodiment into
my live coding performances... I'm just not sure I trust the impulse in the
absence of a collaborator(s).
Any pointers to papers touching on this would also be appreciated.
On Sun, Dec 1, 2013 at 6:12 AM, Konstantinos Vasilakos <
k.vasilakos_at_keele.ac.uk> wrote:
>
> On 1 December 2013 13:57, Marije Baalman <nescivi_at_gmail.com> wrote:
>
>> Do you have any footage of your work along the same fashion?
>
>
> Hi, I have done some performances elaborating in the same strategies (live
> hardcoded mapping), one is a an audio based representation of this method:
> https://soundcloud.com/konstantinos_p_vasilakos/formations which
> basically this is to show the huge potential to create variations of
> structure within the musical context by changing the relationships of the
> controller with the performance environment, and/or to manipulate the sound
> synthesis bits itself in order to change the morphology of the sound.
>
> The other is a performance I did with some dancers and jointly with
> another laptop performer Shelly Knotts which you can see it here:
> http://www.youtube.com/watch?v=2Pk1nmIAoQs
> and this basically was elaborating in manipulating the signal of the wii
> and again to change the mappings(range specs included).
>
> There will be some thorough documentation for these and more on the
> manipulative mapping in real time with live coding in due course of my PhD.
>
>
> Thanks
>
> --
> Best
> K.
>
Received on Sun Dec 01 2013 - 16:38:06 GMT