Hey Fabrice,
Nice job, I enjoyed this
Cheers,
Andrew.
p.s. If you do find somewhere to send the work for promotion let us
all know ;)
On 18/02/2010, at 2:21 AM, Fabrice Mogini wrote:
> Dear list,
> I have just put an extract of my new work 'Holographic memory' on my
> website.
> The sound source comes from orchestral samples in Logic but the
> score is all generated from SuperCollider sending MIDIOut in
> realtime. There is no post editing.
> http://www.fabricemogini.com/Experimental.html
>
> This is no true live coding, as most of the algorithms are pre-
> written but I use live coding to choose which functions are being
> used, set their values and to get a fresh performance everytime I
> listen to the music.
> I have noticed that working on 'paper' score or standard sequencer
> has some consequences on how much I remember a piece and how much I
> can perceive relationship between various elements. As a result, I
> am always tempted to write too much and overdo it!
> Thanks to the live coding element, I cannot know too much in
> advance. To preserve the essential, I have to set the system to a
> state which is pleasing for me, regardless from how much I can
> control the outcome.
>
> Fabrice
>
> (PS: if any one can think of places where I could send this type of
> work in order to promote it, please let me know)
>
Received on Wed Feb 17 2010 - 23:13:21 GMT