Re: [livecode] Doug Stanley interview

From: DJ Fadereu <fadereu_at_gmail.com>
Date: Tue, 6 Jun 2006 16:24:23 +0400

>I disagree, the Perl can generating the same seven notes. Violin
strings and Perl $strings can be very different interfaces for much the
same thing.

We disagree because I do not know Perl, and you perform
with it. Alex - I'm trying to imagine that when we are typing
on a laptop - its a bit like percussion, if you hear the sound
of the keys. That can be seen and interpreted by the audience,
and it falls in with the waves of music you are producing. It
makes sense to their apparatus. BECAUSE Perl cause
a cognitive dissonance between your hand-actions and
the music, there is a problem.

>Any audience is probably more interested in the beer they're drinking
and the conversation they're having than the Perl.

Then they shouldn't come to a concert hall. It is true for most bar
and club performances though, if that is TopLap's destiny.

>i think you might be referring to notation rather than music here -
and i'm sure you did not mean to make such a limited equation.

It's a gross simplification, I admit.





On 6/6/06, alex <alex_at_slab.org> wrote:
>
> On Tue, 2006-06-06 at 16:10 +0400, DJ Fadereu wrote:
> > In a classical music performance, the known language is
> > the seven basic notes and this is known to the most audiences
> > who appreciate classical music.
> >
> > If you're using Perl for Toplapping, the music produced (and the
> > screen displayed) will only be of interest to those who have had a
> > brush with Perl.
>
> I disagree, the Perl can generating the same seven notes. Violin
> strings and Perl $strings can be very different interfaces for much the
> same thing.
>
> Any audience is probably more interested in the beer they're drinking
> and the conversation they're having than the Perl.
>
> alex
>
>
>


-- 
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DJ Fadereu (+91 98675 80501)
Bombay
An online archive of my work:
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Received on Tue Jun 06 2006 - 12:24:36 BST

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