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| Some notable historical performances are mentioned here with archive footage links where available. Feel free to contact us to tell us of any missing ones- we'd especially like documentation. | | Some notable historical performances are mentioned here with archive footage links where available. Feel free to contact us to tell us of any missing ones- we |
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| == Projection era ==
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| The languages have proliferated...
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| 10 August 2006 - [http://swiki.hfbk-hamburg.de:8888/MusicTechnology/804 Lusco-Fusco at Birmingham SuperCollider symposium: Paul Dirac Party]
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| 7th February 2005 - Ten members of TOPLAP jam together at Club Transmediale, Club Maria, Berlin. Represented environments and languages include ChucK, JITLIB, Pure Events, Musique Literale, SuperCollider, feedback.pl, Perl, The Thingee and
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| Lingo. [[Evidences|images]]
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| November 2004, ICMC, [http://audicle.cs.princeton.edu/ Audicle]: a Context-sensitive On-the-fly Audio Programming Environment presented, Ge Wang, Perry Cook, Ananya Misra, Philip Davidson
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| 26th August 2004 = TOPLAP live coding jam of audio and visuals (Perl, SC3, MAX/MSP, PD, fluxus, The Thingee), Aarhus, Denmark
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| http://projects.dorkbot.org/rd04/wiki/MediaFiles?action=AttachFile
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| 17 July 2004 - London Placard Headphone festival. Live perl coding and drumming
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| duet with Table, and some live lsystem grammar coding by nebogeo.
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| http://state51.org/placard/
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| 14th February 2004 - Betalounge, Hamburg. JITLIB based live coding network jam over laptop speakers as part of the [[changing grammars]] symposium. TOPLAP is born that evening in a smoky downtown bar (Zoe)
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| 14th November 2003 [[ChucK]] double projection duet, premiere at Princeton
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| http://on-the-fly.cs.princeton.edu/listen/
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| September 2003, ICMC 2003, [http://chuck.cs.princeton.edu/ ChucK]: Concurrent, On-the-fly Programming Language presented, Ge Wang and Perry Cook
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| Friday 20th June 2003 Royal College of Art, London. Live coding duet ([[SuperCollider]] 2), Nick Collins and Fabrice Mogini.
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| June 14th 2003 University Of Communication, Sarajevo: code as a cinematic experience, Julian Rohrhuber
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| Oct 2002 Kule Club, Berlin: Elevator Music, Julian Rohrhuber
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| 7th September 2001 Julian Rohrhuber jitlib live in NY: "west nile" in polar bear club, subtonic
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| Feb. 2000 "remote control lounge" network installation by J.Rohrhuber - James Mc Cartney sends open sound control code from Austin to Hamburg and changes Pattern parameters together with local participants. http://telenautik.hfbk-hamburg.de/remote.htm
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| 17th June 2000 [[slub]] premiere hoxton foundry, london - antispod
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| == 80s FORTH era ==
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| George Lewis claimed that live programming was a frequent activity in this period; though not an audience focus. I don't know of any projection of live code pre [[slub]] / rohrhuber ...Documentation is scarce. Please tell us if you have any archived sources!
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| [http://crossfade.walkerart.org/brownbischoff/ The Hub] were using FORTH and the audience could wander around their computers.
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| A [http://developers.slashdot.org/comments.pl?sid=120335&cid=10139642 slashdot comment] by an anonymous poster talks about a project called "masked men" which involved coding lisp live on stage in 1987.
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| The earliest documented performance of live coding we know of right now:
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| 1985 Ron Kuivila STEIM Amsterdam
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| [http://www.softsynth.com/hmsl/ HMSL], the Hierarchical Music Specification Language, was widely used for composition and live performance. It was a Forth-based object-oriented music language with time-stamped MIDI input and output. DSP 56000 tools were added around 1990. HMSL also had cross-platform GUI tools similar
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| to Java's AWT, but more primitive. Coding was often done while the audience
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| was taking their seats and during intermissions. Live coding was common during informal presentations.
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| == Earlier still (before interpreted languages) ==
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| Text pieces, happenings in the 60s-70s? A specific example was provided by Click Nilson [[Click Nilson's text piece]]
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| Renaissance maths tournaments
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| Fior vs Tartaglia on the cubic equation (not actually peformative unfortunately, this public competition took 40-50 days!)
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| Greek philosophers debating...
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