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In the process of being collected and sorted... See [this list https://github.com/toplap/awesome-livecoding], which is currently much more up-to-date.
 
== Videos ==
 
* [http://www.vimeo.com/20241649 Show us your screens - Documentary]
* [http://vimeo.com/9790850 Algorithms are Thoughts, Chainsaws are Tools] is a thoughtful commentary by Stephen Ramsey on a screen cast by Andrew Sorensen.
* [http://news.bbc.co.uk/1/hi/technology/8221235.stm Programming, meet music] is a classic BBC treatment of live coding.
* Many screencasts of live coders in action are available at our sister website http://livecoding.co.uk/
 
== Online and in the media ==
 
* [http://www.wired.com/science/discoveries/news/2006/07/71248 Real DJs Code Live], Wired 2006
* [http://www.wired.co.uk/news/archive/2009-09/25/making-music-with-live-computer-code- Slub: Making music with live computer code], Wired 2009
* McLean, A. (2004). [http://www.perl.com/pub/a/2004/08/31/livecode.html Hacking perl in nightclubs]. O'reilly; perl.com
 
== Academic articles and papers ==
 
* Rohrhuber, J., Hall, T. and de Campo, A. (2011). Dialects, constraints, systems within systems. In Nick Collins, Scott Wilson, and David Cottle, editors, The SuperCollider Book. MIT Press, Cambridge, Massachusetts.
* Rohrhuber, J. and de Campo, A. (2011). Just in time programming. In Nick Collins, Scott Wilson, and David Cottle, editors, The SuperCollider Book. MIT Press, Cambridge, Massachusetts.
* McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). [http://yaxu.org/visualisation-of-live-code/ Visualisation of Live Code]. In Electronic Visualisation and the Arts London 2010.
* Sorensen, A. (2010). [http://impromptu.moso.com.au/extras/icmc2010.pdf A distributed memory for networked livecoding performance]. In Proceedings of International Computer Music Conference 2010.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Rohrhuber, J. (2010). [http://supercollider2010.de/images/papers/signal_operators.pdf  <<> and <>> : Two Simple Operators for Composing Processes at Runtime. ]. SuperCollider 2010 Conference Papers
* McLean, A. and Wiggins, G. (2010). [http://smcnetwork.org/files/proceedings/2010/39.pdf Tidal - pattern language for the live coding of music]. In Proceedings of the 7th Sound and Music Computing conference.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/writing/icccx/icccx.pdf Live coding towards computational creativity]. In proceedings of ICCC-X.
* McLean, A. and Wiggins, G. (2010). [http://yaxu.org/bricolage-programming-2/ Bricolage programming in the creative arts]. In 22nd Psychology of Programming Interest Group.
* Rohrhuber, J. and de Campo, A. (2009). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_DeCampo_Improvising_Formalisation.pdf Improvising Formalisation: Conversational Programming and Live Coding]. In Gérard Assayag and Andrew Gerzso, editors, New Computational Paradigms for Computer Music. Delatour France / Ircam-Centre Pompidou.
* Rohrhuber, J. (2009). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Doppelte_Extension.pdf Das Rechtzeitige. Doppelte Extension und formales Experiment] in: Zeitkritische Medienprozesse (A. Volmar, ed.), Berlin: Kadmos, 2008.  
* Rohrhuber, J. (2008). [http://wertlos.org/~rohrhuber/articles/Rohrhuber_Artificial_Natural_Historical.pdf Artificial, Natural, Historical. Acoustic Ambiguities in Documentary Film]. in: Adams, Gibson, Arisona, Transdisciplinary Digital Art: Sound, Vision and the New Screen, Communications in Computer and Communication Science, Springer, Heidelberg.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007) [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Collins, N. (2007). [http://www.nime.org/2007/proc/nime2007_112.pdf Live coding practice]. In Proceedings of New Interfaces for Musical Expression 2007.
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
* Brown, A. (2006). [http://journal.media-culture.org.au/0612/03-brown.php Code Jamming]". M/C Journal, 9(6).
* Blackwell, A. and Collins, N. (2005). [http://www.ppig.org/papers/17th-blackwell.pdf The programming language as a musical instrument]. In Proceedings of PPIG05. University of Sussex.
* Sorensen, A. (2005). [http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
* Rohrhuber, J., de Campo, A., and Wieser, R. (2005). [http://akustik.hfbk.net/publications/AlgorithmsToday.pdf Algorithms today: Notes on language design for just in time programming]. In Proceedings of the 2005 International Computer Music Conference.
* Ruthmann, S.A., Heines, J.M., Greher, G.R., Laidler, P., & Saulters, C. (2010). [http://teaching.cs.uml.edu/~heines/academic/papers/2010sigcse/SoundThinking-SIGCSE-2010.pdf Teaching computational thinking through musical live coding in Scratch]. 41st ACM SIGCSE Technical Symposium on CS Education.  Milwaukee, WI, March 12, 2010.
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
* Geoff Cox, Alex McLean and Adrian Ward, "[http://art.runme.org/1107862958-4046-0/cox.pdf Coding Praxis: Reconsidering the Aesthetics of Generative Code]," in Olga Goriunova and Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, 2004), 161-174. Peer-reviewed essay derived from conferences in Aarhus and Sorbonne, 2004.
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.
 
== Unsorted ==
 
* [[some thoughts]]
* [[live coding of graphics]]
* [[LivecodingIsNotSynaesthesia]]
* [http://akustik.hfbk.net/publications/Uncertainty_and_waiting.pdf Uncertainty and Waiting in Computer Music Networks]
* [http://www.wertlos.org/~rohrhuber/articles/Artificial,%20Natural,%20Historical.pdf Artificial Natural Historical : Ambiguities of Synthetic Sound in Documentary Film]
* [http://akustik.hfbk.net/publications/ some theoretical papers on sound programming and time]
* [http://journal.media-culture.org.au/0612/03-brown.php Code Jamming]
* [http://www.pawfal.org/dave/files/fluxus-workshop.pdf Fluxus workshop intro] from llcf2007 ([http://www.pawfal.org/dave/files/fluxus-workshop.scm source])
* [http://www.pawfal.org/dave/files/gamepad-programming.pdf Gamepad programming] from llcf2007 ([http://www.pawfal.org/dave/files/gamepad-programming.scm source])
* [http://www.wertlos.org/drb/signifikantenstadl/ Signifikantenstadl: live coding for silent movies]
* [http://elliscave.com/APL_J/tool.pdf ''Notation as a Tool of Thought''] (1979 Turing Award Lecture) by Kenneth E. Iverson, Communications of the ACM, Volume 23, Number 8, August 1980.
* [http://www.informatics.sussex.ac.uk/users/nc81/researchlc.html Nick Collins' papers on live coding including 'Live Coding Practice']
* [http://www.ludions.com/slowcode/ 'Slow Code Movement Manifesto' Hall, T. n.d.]

Latest revision as of 12:33, 7 July 2020

In the process of being collected and sorted... See [this list https://github.com/toplap/awesome-livecoding], which is currently much more up-to-date.

Videos

Online and in the media

Academic articles and papers

Unsorted

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