Videos, Articles and Papers: Difference between revisions

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== Online and in the media ==
== In the media ==


* [http://news.bbc.co.uk/1/hi/technology/8221235.stm Programming, meet music]
* [http://news.bbc.co.uk/1/hi/technology/8221235.stm Programming, meet music]
* [http://www.wired.com/science/discoveries/news/2006/07/71248 Real DJs Code Live], Wired 2006
* [http://www.wired.com/science/discoveries/news/2006/07/71248 Real DJs Code Live], Wired 2006
* [http://www.wired.co.uk/news/archive/2009-09/25/making-music-with-live-computer-code- Slub: Making music with live computer code], Wired 2009
* [http://www.wired.co.uk/news/archive/2009-09/25/making-music-with-live-computer-code- Slub: Making music with live computer code], Wired 2009
* McLean, A. (2004). [http://www.perl.com/pub/a/2004/08/31/livecode.html Hacking perl in nightclubs]. O'reilly; perl.com


== Academic articles and papers ==
== Academic articles and papers ==
In the process of being collected...
* McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). [http://yaxu.org/visualisation-of-live-code/ Visualisation of Live Code].  In Electronic Visualisation and the Arts London 2010.
* McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). [http://yaxu.org/visualisation-of-live-code/ Visualisation of Live Code].  In Electronic Visualisation and the Arts London 2010.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Sorensen, A. and Gardner, H. (2010). [http://impromptu.moso.com.au/extras/sorensen_ow_2010.pdf Programming with time: cyber-physical programming with impromptu]. In Proceedings of ACM OOPLSA, OOPSLA '10, pages 822-834, New York, NY, USA. ACM.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
* Sorensen, A. and Brown, A. R. (2007). [http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in practice: An approach to musical live coding]. In Proceedings of the International Computer Music Conference 2007.
* Sorensen, A. (2005). [http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
* Sorensen, A. (2005). [http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]. In Proceedings of the Australasian Computer Music Conference 2005, pages 149-153. (version of impromptu discussed is obsolete)
* Rohrhuber, J., de Campo, A., and Wieser, R. (2005). [http://akustik.hfbk.net/publications/AlgorithmsToday.pdf Algorithms today: Notes on language design for just in time programming]. In Proceedings of the 2005 International Computer Music Conference.
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.
* Collins, N., McLean, A., Rohrhuber, J., and Ward, A. (2003). [http://yaxu.org/writing/laptop_performance.pdf Live coding in laptop performance]. Organised Sound, 8(03):321-330.
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
* Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). [[read_me paper|Live algorithm programming and a temporary organisation for its promotion]]. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.
* McLean, A. (2004). [http://www.perl.com/pub/a/2004/08/31/livecode.html Hacking perl in nightclubs]. O'reilly; perl.com
* Wang, G. and Cook, P. R. (2004). [http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf On-the-fly programming: using code as an expressive musical instrument]. In Proceedings of the 2004 conference on New interfaces for musical expression, pages 138-143. National University of Singapore.
* Rohrhuber, J., de Campo, A., and Wieser, R. (2005). [http://akustik.hfbk.net/publications/AlgorithmsToday.pdf Algorithms today: Notes on language design for just in time programming]. In Proceedings of the 2005 International Computer Music Conference.
* Rohrhuber, J., de Campo, A., Wieser, R., van Kampen, J.-K., Ho, E., and Hölzl, H. (2007). [http://wertlos.org/articles/Purloined_letters.pdf Purloined letters and distributed persons]. In Music in the Global Village Conference.


== Unsorted ==
== Unsorted ==

Revision as of 00:12, 27 February 2011

Online and in the media

Academic articles and papers

In the process of being collected...

Unsorted

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