I really enjoyed the piece, and the analysis driven effect was a nice
surprise at the end. Thanks for sharing, Jason! It's interesting that
the visualisation helps you keep aware of the pace of change, I think
this is one of the key skills of live coding performance and
improvisation.. Counting while coding.
Patrick, Julian made something in SuperCollider that let you schedule
code changes ahead of time, although I don't think events were
visualised in this way.
Here's another python live coding environment by Ryan Kirkbride, fresh
from Yorkshire:
https://www.youtube.com/watch?v=mNTp_ECpxBY
I've always felt it strange that there weren't more Python live coding
environments, it seems like it should be well suited to it. Has anyone
done live coding with ipython notebook?
cheers
alex
On 2 October 2015 at 22:14, Patrick Borgeat <patrick.borgeat_at_gmail.com> wrote:
> Hi Jason,
>
> looks great! From my perspective as a SuperCollider live coder I really
> like that you are able to *see* ahead of time instead of just listening *in
> time*. From my performer perspective, this might be something I would like
> to have too, especially as I can sill reshape the future time I was able to
> see.
>
> I think a cool feature could be to quantize changes to the timeline, e.g.
> run the code and compute a future timeline but the new timeline will just
> be swapped in at the next bar (or each 4 bars). It could also be
> interesting to be able to preview the results of code, so it would be
> displayed as an overlay to the actual sounding timeline, so that I can
> inspect it visually but the old audio timeline is still playing (until I
> decide that I want to hear the new timeline).
>
> Cool stuff! Cheers,
> Patrick
>
>
>
>
>
> 2015-10-02 22:17 GMT+02:00 Jason Freeman <mail_at_jasonfreeman.net>:
>
>> Hi all,
>>
>> Some of you know about EarSketch (http://earsketch.gatech.edu), the
>> browser-based coding environment that includes a Python / JavaScript API,
>> sound library, and DAW-style view for algorithmic composition. We’ve been
>> developing it for the last few years at Georgia Tech, and it’s primarily
>> targeted towards students in intro computer science courses, with an eye
>> towards increasing engagement and participation in computing by populations
>> traditionally underrepresented in computer science.
>>
>> We’ve recently begun exploring the potential of EarSketch as a live coding
>> environment too. Last week, I performed a live coding set in concert with
>> EarSketch for the first time and wanted to share a screencast with you:
>>
>> https://www.youtube.com/watch?v=5ThWr3stq9M
>>
>> We still have some work to do in making live coding smoother in EarSketch,
>> and I still have some practice to do as a performer, but…I wanted to share
>> because I think the unusual structure of the environment has interesting
>> implications for live coding, i.e.
>>
>> * all the music is based on DAW-like operations: placing audio files on a
>> multi-track timeline, splicing them, adding effects, etc.
>> * time is organized as a DAW timeline that loops
>> * the results of code execution are visualized (for both the live coder
>> and the audience) in a DAW-style display
>>
>> Hope you find these ideas interesting!
>>
>> Best,
>> —Jason
>> --
>>
>> Read the whole topic here: livecode:
>> http://lurk.org/r/topic/5kYLYw3lYMBKIOfyIrgzg4
>>
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>> subject: unsubscribe
>>
>
> --
>
> Read the whole topic here: livecode:
> http://lurk.org/r/topic/o5mxajyrCelUrWS6goDem
>
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Received on Fri Oct 02 2015 - 21:24:28 BST